The Interior

There, the time does not exist, foicristalizado, immortalized in an apprehended time. ' ' The mirror d' water is nouma consequence surface, but a surface of absoro.' ' 13 Is lembrarde Narcissus if seeing in the mirror, not of an extended mirror, but of espelhocomo ' ' depth absence, as superficial abyss that is only seductive evertiginoso for the others, because each one is the first a in it to precipitate-se.' ' 14 ' ' body is unbroken, congealed in an ice block, as &#039 was in one; ' pause.' ' It pauses it of the time, not it time of the clock, is the time that nopassou for image. Referring it image of faces congealed in decemitrios tombs, placed to the side of epitfios. The frozen picture if became fantasmagrico umfssil: ' ' The most strange E, is that the Father was new doque the son now. The youngster became in a man, and now he is older than seuPai.' ' It is if to come across with the experience of the old one, to look at on the new, to look at and sees that what was became ruins.

The ruins acquired to longodo time, of the memory that searchs in the interior the face hidden for backwards of outrorosto. ' ' To cover the interior mirror the details closest, ' ' those of the lost youth that now gave place ' ' traosmarcantes.' ' The past assumes a new form, that could ter' ' missing person in esquecimento' ' , but the photograph, the static image, congealed, transforms the gift. This face stopped in as many photographs that otempo does not modify, is not more the face that if it modified with any expressoou word, ' ' facetado as a diamond. That distance of this pobreevocao imvel.' ' 15 the rubber face, twisted or kneaded pareceefeito special of cinema, is not the same face without marcantes traces, with the centered mouth, the mirror that naked each fabric fiction or dahistria contained in each one of the cracks, the calvcie, wires.