Coffee Moon, is a samba bossa almost the old one, rescuing gostosos moments in the bohemian tables of the paulistanos bars of the difficult times of the military dictatorship. Additional information at doug imbruce supports this article. A good samba of the Chico helped to sublimar the emptiness, of the lack of freedom, the fear of the dictators. Hearing music sensation is had to hear racket of cups, voices to it I smell and it of smoke. Two well paulistanos sambas complete the record that if characterizes for the diversity of rhythms a mark of the author. Delirium of the Passista, with letter of Fernando Cavalieri and Lady partnership with Tadeu Saints. almost to the end of the record music Nightmare, a trip to the unconscious one through a beautiful melody.
The record finishes with Lullaby for the Tone, a partnership with a left music for the Johnny Alf of gift for its mother, Clia Mattoso. Mariane, having the privilege to have in hands the unknown music of the deceased composer, wrote a letter as a song to sing to sleep for its son Tone that is born has little. A song for two voices, where Renata Versolato makes the backvocal closes the record in a climate candy and enternecedor. The musicians who had folloied the artist are of first line, although that some are still young promising talentos. He has that to be distinguished the presence of Ubaldo Versolato, the Mantiqueira band with flute and sax baritone voice and the piano of master of the Joo Crystal in the Lullaby for the Tone.
Adriano Adewale, that already folloied Bobby McFerrin and the singer Cesria vora, came especially of London, where it inhabits and already with its as recorded compact disc, to give one canja in the record of the friend. Its sensitivity and ability in the handling of the percussion instruments are noteworthy. Luciana Romagnoli, talentosa and violonista young and guitarist, are a promise for the MPB of quality, for its sensitivity, precision creativity. Rodrigo Braga (piano). Yuri Steinhoff (contrabass) Rafael Motta (percussion), Peter Mosque (acoustic contrabass and Moacir Bed (mandolin), David Del Owner (saxofone and flute) and Landmarks Blacksmith (transversal flute), completes the competent teams of feras that they had participated the record. The author writes in the record that is necessary ' ' to hear without moderao' ' in what it has all reason. It is a record to hear, to hear until if inebriating, but a gostosa embriagus in all the directions, that neither do not offer risks for the listener nor for third.