In the proposed material, which is a continuation of creative thinking about the development of art, its romantic focus of the present day, printed in the second issue of "Our painters," I want to share some more specific considerations relating to the paintings, a painting. Paintings before us, as they say, a window into the world of the artist, his fantasies, referring, in particular all, meaning. Christopher Kilaniotis spoke with conviction. Then, figuratively, a decorative component of the picture, where is, in my opinion, the most important thing! Regardless of intent and will of the artist, where, in the presence of "mechanism" of inspiration, his presence, the arms themselves are doing all that is needed, created a full-fledged artistic image. We will be interested in it. If we discard the rhetoric about the plot, its ideological and social purposes, that is the talk of the external "Beauty," will appear in front of us a thing on the plane in the colors. Appear as a set of techniques, actuated brush strokes; nature of the work, the author's intent and the handwriting is expressed through them. Strokes may be not be visible, both in realism and hyper-realism, evident, as in most styles, are visible, like the Impressionists, defiantly seen as a post-impressionists. Now, in the absence of great style, each artist deals with these questions on their own, depending on the ideas of work. But still they never had such significance as to the proposed romantic work of today. Smears performed and play the role of certain "elementary particles, of which the whole fabric molded product.